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	<title>African Paper &#187; Another Timbre</title>
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		<title>Iteration: Neues Album mit Live-Tracks von Lucio Capece und Werner Dafeldecker</title>
		<link>https://africanpaper.com/2020/12/14/iteration-neues-album-mit-live-tracks-von-lucio-capece-und-werner-dafeldecker/</link>
		<comments>https://africanpaper.com/2020/12/14/iteration-neues-album-mit-live-tracks-von-lucio-capece-und-werner-dafeldecker/#comments</comments>
		<pubDate>Mon, 14 Dec 2020 06:33:52 +0000</pubDate>
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				<category><![CDATA[News]]></category>
		<category><![CDATA[Another Timbre]]></category>
		<category><![CDATA[Lucio Capece]]></category>
		<category><![CDATA[Offene Ohren]]></category>
		<category><![CDATA[Werner Dafeldecker]]></category>

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		<description><![CDATA[Die in Berlin lebenden Improvationamusiker Lucio Capece und Werner Dafeldecker bringen ein neues Album heraus. Die beiden enthaltenen Tracks wurden im Mai 2019 bei einem der Münchner Offene Ohren-Konzerte aufgenommen, gespielt wurden Bassklarinette, Slide-Saxophon und Kontrabass, ebenfalls mit einbezogen wurde &#8230; <a href="https://africanpaper.com/2020/12/14/iteration-neues-album-mit-live-tracks-von-lucio-capece-und-werner-dafeldecker/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Die in Berlin lebenden Improvationamusiker Lucio Capece und Werner Dafeldecker bringen ein neues Album heraus. Die beiden enthaltenen Tracks wurden im Mai 2019 bei einem der Münchner Offene Ohren-Konzerte aufgenommen, gespielt wurden Bassklarinette, Slide-Saxophon und Kontrabass, ebenfalls mit einbezogen wurde die Akustik der Umgebung. &#8220;Iteration&#8221; erscheint auf CD bei Another Timbre.<a href="http://africanpaper.com/wp-content/uploads/2020/12/iteration.jpg"><img class="aligncenter size-full wp-image-23319" title="iteration" src="http://africanpaper.com/wp-content/uploads/2020/12/iteration.jpg" alt="" width="1200" height="1200" /></a><span id="more-23317"></span></p>
<p>&#8220;The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some extent, but only in the sense that we share similar interests and a similar history when it comes to content and methodology in improvised music. [...] When I refer to shared history I mean that both of us have been interested in improvisational concepts away from emotional expression and/or jazz-routed music.</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1893189902/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" width="320" height="240"></iframe></p>
<p>I think we also share a non-dogmatic approach when it comes to the term „reductionist“ music. In my opinion the term is an imposed category which tries to describe a social cultural shift of the values in that specific field of music at that time. Density or emotionality were often replaced by a certain degree of clarity of structure and tonal accuracy. I clearly have been involved in that relocation which, like every change, leaves its mark.&#8221; (Werner Dafeldecker im Interview mit Simon Reynell)</p>
<p><a href="http://www.anothertimbre.com/"><strong>@ Another Timbre</strong></a></p>
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