Im Begleittext auf Bandcamp heißt es: “Across 22 tracks and 55:55 minutes, New Age Music Vol. 2-3 doesn’t arrive as an album so much as a condition. The pieces feel like fragments drawn from a larger, untold sequence: sketches of moments, near-songs that never fully stabilize. The sound keeps shifting, interrupting itself, drifting, snapping back. Instead of resolution, there’s a kind of controlled blur: a deliberate lack of certainty. Within Hora Lunga’s wider body of work, the New Age Music series feels the most personal. Less a statement than a diary: close, uneven, immediate. Hora Lunga makes music across unstable forms. The work unfolds between experimental song forms, sound performance, film and ensemble music, shaped by close and evolving collaborations. [...] The album invites active listening, not to decode it, but to stay with its shifts, gaps and contradictions. Unobtrusively radical”.

“Violeta García and Hora Lunga crossed paths by chance in 2023 and began discussing and sharing music shortly afterwards. What started as a loose exchange of ideas, sending back and forth sketches and demos between South America and Europe, grew into several studio sessions in 2024. Being sucked into a «quite extraordinary flow», the two musicians recorded, arranged and intervened on a level playing field, using the studio as a playground to record musical layers and interweave them with field recordings and audio notes gathered over the course of a year. Speaking a kindred musical language, they quickly realized how their ideas clung to each other like two familiar souls, complementing, intertwining and merging. From gauzy and eerie textures, musical miniatures floating through time, howling and screaming strings, to tumbling and thundering basses – the sound of the ordinary shapes a body that vibrates, writhes and breathes”. (-OUS)