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	<title>African Paper &#187; Jon Raskin</title>
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		<title>Soprano: Mike Cooper und Freunde mit Homage an Lol Coxhill</title>
		<link>https://africanpaper.com/2024/02/13/soprano-mike-cooper-und-freunde-mit-homage-an-lol-coxhill/</link>
		<comments>https://africanpaper.com/2024/02/13/soprano-mike-cooper-und-freunde-mit-homage-an-lol-coxhill/#comments</comments>
		<pubDate>Tue, 13 Feb 2024 07:24:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Aaron Hwkins]]></category>
		<category><![CDATA[Elliott Sharp]]></category>
		<category><![CDATA[Errico Di Fabritiis]]></category>
		<category><![CDATA[Gianni Gebbia]]></category>
		<category><![CDATA[John Butcher]]></category>
		<category><![CDATA[Jon Raskin]]></category>
		<category><![CDATA[Josep Galiena]]></category>
		<category><![CDATA[Larry Stabbins]]></category>
		<category><![CDATA[Lol Coxhill]]></category>
		<category><![CDATA[Max Nagl]]></category>
		<category><![CDATA[Michel Doneda]]></category>
		<category><![CDATA[Mike Cooper]]></category>
		<category><![CDATA[Room40]]></category>
		<category><![CDATA[Terry Day]]></category>
		<category><![CDATA[The Recendents]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=39517</guid>
		<description><![CDATA[Jüngst erschien auf Room40 eine kollaboratives Album mit elf eine große Bandbreite eröffnenden Tributestücken zu dem bekannten englischen Sopransaxofonisten Lol Coxhill (1932 &#8211; 2012), der den meisten als Jazzmusiker in Erinnerung geblieben ist, aber auch in anderen Bereichen &#8211; (Post-)Punk, &#8230; <a href="https://africanpaper.com/2024/02/13/soprano-mike-cooper-und-freunde-mit-homage-an-lol-coxhill/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Jüngst erschien auf Room40 eine kollaboratives Album mit elf eine große Bandbreite eröffnenden Tributestücken zu dem bekannten englischen Sopransaxofonisten Lol Coxhill (1932 &#8211; 2012), der den meisten als Jazzmusiker in Erinnerung geblieben ist, aber auch in anderen Bereichen &#8211; (Post-)Punk, Prog, Elektronik, Chanson &#8211; sowie als Schauspieler in Erscheinung getreten ist. Das vorliegende Projekt entstand unter der Leitung seines Freundes und Mitmusikers Mike Cooper, der in jedem der Stücke Sounds beiträgt und mit jeweils einem Saxofonisten in den kreativen Dialog geht. Beteiligt an den Duetten sind John Butcher, Michel Doneda, Elliott Sharp, Errico Di Fabritiis, Josep Galiena, Gianni Gebbia, Max Nagl, Aaron Hwkins, Jon Raskin, Larry Stabbins und Terry Day. &#8220;Lol and I passed one another during the 60s and early 70s at many festivals we were both playing on, like ships passing on the ocean&#8221;, erinnert sich Cooper. &#8220;I like to think that we both intuitively knew we would come together at some point in the future when the time was right to make some music. <a href="http://africanpaper.com/wp-content/uploads/2024/02/soprano.jpg"><img class="aligncenter size-full wp-image-39518" title="soprano" src="http://africanpaper.com/wp-content/uploads/2024/02/soprano.jpg" alt="" width="1200" height="1200" /></a><span id="more-39517"></span></p>
<p>Our roots were similar. I was playing acoustic Country Blues and he was usually with a Blues or RandB band. “Watcha Mike” was his greeting and that was worth a lot to me at the time. I felt we were ‘mates’. Eventually in the early 1980s, together with drummer/percussionist Roger Turner, we formed the improvising trio The Recedents. It was time and that time lasted for 20 plus years. To me he was the shaman; the shape shifter; the joker &#8211; the one who “…exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behaviour.” &#8211; he would of course have denied this and would accuse me of talking ‘a load of bollocks’ &#8211; which he often did and which was and still is often true&#8221;. Cooper betont den persönlichen und überpersönlichen Charakter dieser Hoomage: &#8220;This compilation is my way of paying homage to him and to offer an opportunity to his fellow soprano saxophone players to join me in it. He touched all of these musicians lives and I thank them for their participation&#8221;. Das Tribute erscheint digital, der Erlös geht an Coxhills Frau Uli.</p>
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		<title>Black Flamingo: Kollaboratives Album von Mike Cooper</title>
		<link>https://africanpaper.com/2023/05/08/black-flamingo-kollaboratives-album-von-mike-cooper/</link>
		<comments>https://africanpaper.com/2023/05/08/black-flamingo-kollaboratives-album-von-mike-cooper/#comments</comments>
		<pubDate>Mon, 08 May 2023 05:15:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Aaron Hawkins]]></category>
		<category><![CDATA[Ariella Vidach]]></category>
		<category><![CDATA[Elliott Sharp]]></category>
		<category><![CDATA[Geoff Hawkins]]></category>
		<category><![CDATA[Jon Raskin]]></category>
		<category><![CDATA[Michael Thieke]]></category>
		<category><![CDATA[Mike Cooper]]></category>
		<category><![CDATA[Room40]]></category>
		<category><![CDATA[Scot Ray]]></category>
		<category><![CDATA[The Migrant School of Bodies]]></category>
		<category><![CDATA[Tim Hill]]></category>
		<category><![CDATA[Viv Corringham]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=35458</guid>
		<description><![CDATA[In der zweiten Maihälfte wird die Welt um einen neuen Longplayer des legendären, exotikverliebten Genredurchkreuzers Mike Cooper reicher sein. &#8220;Black Flamingo&#8221; &#8211; ein Titel, der garantiert nicht ohne Grund wie die Quadratur des Kreises klingt &#8211; kombiniert die Klangkünste des &#8230; <a href="https://africanpaper.com/2023/05/08/black-flamingo-kollaboratives-album-von-mike-cooper/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>In der zweiten Maihälfte wird die Welt um einen neuen Longplayer des legendären, exotikverliebten Genredurchkreuzers Mike Cooper reicher sein. &#8220;Black Flamingo&#8221; &#8211; ein Titel, der garantiert nicht ohne Grund wie die Quadratur des Kreises klingt &#8211; kombiniert die Klangkünste des Meisters mit den Beiträgen von zahlreichen musikalischen Freunden zu einer Fusion, die an keiner Stelle geklittert klingt. <a href="http://africanpaper.com/wp-content/uploads/2023/05/blackflamingo.jpg"><img class="aligncenter size-full wp-image-35469" title="blackflamingo" src="http://africanpaper.com/wp-content/uploads/2023/05/blackflamingo.jpg" alt="" width="1200" height="1200" /></a><span id="more-35458"></span>Geoff und Aaron Hawkins, Elliott Sharp, Viv Corringham, Jon Raskin, Scot Ray, Tim Hill und Michael Thieke, die größtenteils bereits mit Cooper aufgenommen haben oder aufgetreten sind, steuern Gesang sowie Instrumentalbeiträge mit Saxofonen, Gitarren, Klarinette und anderem bei. Einer der Tracks entstand zudem in Zusammenarbeit mit dem Mailänder The Migrant School of Bodies, Cooper beschreibt die Kollaboration mit der Tanzgruppe als &#8220;result of a workshop in Milan for a performance/dance piece organised by choreographer/dancer Ariella Vidach. <a href="http://africanpaper.com/wp-content/uploads/2023/05/Mike-Cooper-uncredited-photo.jpg"><img class="aligncenter size-full wp-image-35471" title="Mike Cooper (uncredited photo)" src="http://africanpaper.com/wp-content/uploads/2023/05/Mike-Cooper-uncredited-photo.jpg" alt="" width="512" height="560" /></a>The text is each member counting from one to 26 in their own language each one starting to count after the neighbour had reached the number eight. Most of the members were from Africa and shared no common African language. The rhythmic and tonal variations set up an interesting shingling effect with the voices tumbling over one another&#8221;. Das Album erscheint als CD und digital bei Room40.<!--/data/user/0/com.samsung.android.app.notes/files/clipdata/clipdata_bodytext_230502_165859_485.sdocx--></p>
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