“In Eliane Radigue’s work, we oppose electronic works (composed until the early 2000s) to those written for acoustic instruments. From 2002, the artist began a series of compositions, Occam, orally transmitted living music. In her own words, she fully realized what she had always sought to accomplish in her electronic works. The disc dedicated to her brings together 2 pieces that were written at the same period. One for an instrumental ensemble (Dedalus) and the other for analog synthesizer (Ryoko Akama). If the means seem opposed, this concordance of time shows the deep unity that brings them together”. (Montagne Noir)