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	<title>African Paper &#187; Pauline Oliveros</title>
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		<title>Altamirage: Gemeinsame Aufnahmen von Pauline Oliveros und James Ilgenfritz</title>
		<link>https://africanpaper.com/2022/10/25/altamirage-gemeinsame-aufnahmen-von-pauline-oliveros-und-james-ilgenfritz/</link>
		<comments>https://africanpaper.com/2022/10/25/altamirage-gemeinsame-aufnahmen-von-pauline-oliveros-und-james-ilgenfritz/#comments</comments>
		<pubDate>Tue, 25 Oct 2022 04:49:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Anagram Ensemble]]></category>
		<category><![CDATA[Infrequent Seams]]></category>
		<category><![CDATA[James Ilgenfritz]]></category>
		<category><![CDATA[Pauline Oliveros]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=31888</guid>
		<description><![CDATA[Infrequent Seams bringen just einen neuen Longplayer mit Duo-Improvisationen von Pauline Oliveros und dem Kontrabassisten und Komponisten James Ilgenfritz heraus. &#8220;Altamirage&#8221; enthält neben diesen Aufnahmen, die während der intensiven Freundschaft der beiden in der Zeit von 2007 bis 2016 entstanden &#8230; <a href="https://africanpaper.com/2022/10/25/altamirage-gemeinsame-aufnahmen-von-pauline-oliveros-und-james-ilgenfritz/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Infrequent Seams bringen just einen neuen Longplayer mit Duo-Improvisationen von Pauline Oliveros und dem Kontrabassisten und Komponisten James Ilgenfritz heraus. &#8220;Altamirage&#8221; enthält neben diesen Aufnahmen, die während der intensiven Freundschaft der beiden in der Zeit von 2007 bis 2016 entstanden sind, auch drei älter Aufnahmen Oliveros&#8217; aus den Jahren um 1960, die ebenfalls von Ilgenfritz&#8217; Anagram Ensemble interpretiert wurden. Gerade in Bezug auf diese älteren Aufnahmen betont Maria Chavez in den Liner notes: &#8220;[Oliveros'] written scores could be seen as a durational piece that can live on, for as long as the thought is being shared. So in a way James and his ensemble are participating in a tradition, replaying a past composition in a way it was meant to be heard as learned by the composer themselves. Within this whole album I see many layers; from the personal perspective (illustrating Pauline as an adventurous and edgy young artist, questioning timing and pace during a time where the opposite was supported) to the historical, with an individual who chose to stick to their path regardless of all the pressure around them. In this work there is preservation along with reinvention, with a direct link we will never experience again. So thank you James, for this rare glimpse. It is one that will be studied and cherished for a lifetime&#8221;. Das Album erscheint als CD, Tape und zud zum Download.<a href="http://africanpaper.com/wp-content/uploads/2022/10/oliverosilgenfitzanagramensemble.jpg"><img class="aligncenter size-full wp-image-31889" title="oliverosilgenfitzanagramensemble" src="http://africanpaper.com/wp-content/uploads/2022/10/oliverosilgenfitzanagramensemble.jpg" alt="" width="590" height="590" /></a><span id="more-31888"></span></p>
<p>&#8220;Bassist and composer James Ilgenfritz presents a collection of duo improvisations with composer and Deep Listening founder Pauline Oliveros, as well two composed works Oliveros wrote between 1959 and 1961. The duets are a document of Ilgenfritz’s and Oliveros’s friendship and collaboration between 2007 until Oliveros’s passing in 2016, from San Diego, CA to Kingston, NY to Brooklyn, NY. This recording also features Ilgenfritz’s Anagram Ensemble performing two early trio works, which Oliveros recommended Ilgenfritz perform and record. Taken all together, Altamirage continues to solidify Oliveros&#8217; place in the cannon, but also her idiosyncracy, and her spirit of friendship and collaboration –– in this case with Ilgenfritz. Their playing, their collective sense of space is somehow both profoundly avant garde and intimate. It is these things because it is music that could not be made without listening, one to the other, and listening is, in fact, already intimate. In her life, Oliveros wrote a host of exercises for Deep Listening. In one exercise, titled &#8220;Collective Environmental Composition,&#8221; listening is centered as the primary vehicle for composition itself. Participants find something interesting to listen to and then &#8220;each participant&#8221; she suggests, &#8220;invites the other participants to hear their found listening place.&#8221; She goes on to prompt that each paricipant &#8220;finds a way to enhance, nullify or otherwise interact&#8221; with the sound and eventually to find a way to &#8220;connect all the sounds.&#8221; It&#8217;s a beautiful, wild, and open exercise which is designed for workshops, for mindfulness, for enhancing consciousness. It&#8217;s also exactly what Oliveros is doing in her improvisations with Ilgenfritz. And therefore these recordings too are beautiful, wild, and open. Open most of all because they imply that there is more. Nothing closes, everything goes on. &#8221; (Mark Trecka)</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2040139597/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" width="320" height="240"></iframe></p>
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		</item>
		<item>
		<title>Sheffiled Doc Fest streamt Sisters With Transistors</title>
		<link>https://africanpaper.com/2020/10/27/sheffiled-doc-fest-streamt-sisters-with-transistors/</link>
		<comments>https://africanpaper.com/2020/10/27/sheffiled-doc-fest-streamt-sisters-with-transistors/#comments</comments>
		<pubDate>Tue, 27 Oct 2020 04:12:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bebe Barron]]></category>
		<category><![CDATA[Clara Rockmore]]></category>
		<category><![CDATA[Daphne Oram]]></category>
		<category><![CDATA[Delia Derbyshire]]></category>
		<category><![CDATA[Eliane Radigue]]></category>
		<category><![CDATA[Laurie Anderson]]></category>
		<category><![CDATA[Laurie Spiegel]]></category>
		<category><![CDATA[Lisa Rovner]]></category>
		<category><![CDATA[Pauline Oliveros]]></category>
		<category><![CDATA[Sheffield Doc Fest]]></category>
		<category><![CDATA[Suzanne Ciani]]></category>
		<category><![CDATA[The Space Lady]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=22837</guid>
		<description><![CDATA[Im Rahmen der Rhyme &#38; Rhythm-Reihe zeigt das Sheffield Doc Fest am 31. Oktober den von Lisa Rovner gedrehten Dokumentarfilm Sisters With Transistors: Electronic Music&#8217;s Unsung Heroins. In dem Film führt Laurie Anderson als Erzählerin durch die Pioniertage der elektronischen &#8230; <a href="https://africanpaper.com/2020/10/27/sheffiled-doc-fest-streamt-sisters-with-transistors/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Im Rahmen der Rhyme &amp; Rhythm-Reihe zeigt das Sheffield Doc Fest am 31. Oktober den von Lisa Rovner gedrehten Dokumentarfilm <em>Sisters With Transistors: Electronic Music&#8217;s Unsung Heroins</em>. In dem Film führt Laurie Anderson als Erzählerin durch die Pioniertage der elektronischen Musik und legt den Fokus auf einflussreiche Musikerinnen wie u.a. Delia Derbyshire, Pauline Oliveros, Eliane Radigue, Suzanne Ciani, Clara Rockmore, Daphne Oram, Bebe Barron, Laurie Spiegel und The Space Lady, die erst in den letzten Jahren eine angemessenere Würdigung erfahren. Abgerundet wird der Abend durch eine Fragerunde mit der Regisseurin und ein zuvor aufgezeichnetes Konzert der Space Lady. Das Screening findet im Sheffielder Showroom Cinema statt und wird über die Homepage des Festivals gestreamt.<a href="http://africanpaper.com/wp-content/uploads/2020/10/sisterswithtransistors.jpg"><img class="aligncenter size-full wp-image-22838" title="sisterswithtransistors" src="http://africanpaper.com/wp-content/uploads/2020/10/sisterswithtransistors.jpg" alt="" width="397" height="586" /></a><span id="more-22837"></span></p>
<p>Samstag, 31.10.2020<br />
Beginn 17 Uhr englische Zeit<br />
Abrufbar bis 12.11.</p>
<p><strong><a href="https://sheffdocfest.com/films/7011?">@ Sheffield Doc Fest </a></strong></p>
<p><strong><a href="https://sisterswithtransistors.com/">@ Sisters With Transistors </a></strong></p>
<p><iframe src="https://www.youtube.com/embed/VAfKF8ogg9I" frameborder="0" width="560" height="315"></iframe></p>
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		<item>
		<title>Telematic Concert: Konzertmitschnitt von Pauline Oliveros und Alan Courtis erstmals auf Vinyl</title>
		<link>https://africanpaper.com/2020/06/05/telematic-concert-konzertmitschnitt-von-pauline-oliveros-und-alan-courtis-erstmals-auf-vinyl/</link>
		<comments>https://africanpaper.com/2020/06/05/telematic-concert-konzertmitschnitt-von-pauline-oliveros-und-alan-courtis-erstmals-auf-vinyl/#comments</comments>
		<pubDate>Fri, 05 Jun 2020 04:49:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Alan Courtis]]></category>
		<category><![CDATA[Pauline Oliveros]]></category>
		<category><![CDATA[Reynols]]></category>
		<category><![CDATA[SpleenCoffin]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=21371</guid>
		<description><![CDATA[SpleenCoffin bringen eine Konzertaufnahme von Pauline Oliveros und Alan Courtis aus dem Jahr 2009 erstmals auf Vinyl heraus. Die amerikanische Komponistin und ihr von der Band Reynols her bekannte argentinische Kollege traten damals mit Akkordeon, Gitarre und einer Reihe an &#8230; <a href="https://africanpaper.com/2020/06/05/telematic-concert-konzertmitschnitt-von-pauline-oliveros-und-alan-courtis-erstmals-auf-vinyl/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>SpleenCoffin bringen eine Konzertaufnahme von Pauline Oliveros und Alan Courtis aus dem Jahr 2009 erstmals auf Vinyl heraus. Die amerikanische Komponistin und ihr von der Band Reynols her bekannte argentinische Kollege traten damals mit Akkordeon, Gitarre und einer Reihe an effekten beim Deep Listening Institute’s Dream Festival in Kingston, New York, auf.<a href="http://africanpaper.com/wp-content/uploads/2020/06/paulineoliverosalancourtis.jpg"><img class="aligncenter size-full wp-image-21372" title="paulineoliverosalancourtis" src="http://africanpaper.com/wp-content/uploads/2020/06/paulineoliverosalancourtis.jpg" alt="" width="612" height="600" /></a><span id="more-21371"></span>&#8220;The Telematic Concert brought together American electronic music pioneer Pauline Oliveros with Argentinian experimental musician Alan Courtis (Reynols), improvising across continents for the Deep Listening Institute’s Dream Festival in October, 2009 — Oliveros in person in Kingston, NY, Courtis piped in digitally from Buenos Aires. The resulting exchange of Oliveros’ accordion drones and expanded instrument system with Courtis’ unstringed guitar feedback, objects, and processing sounds as fresh as ever, both hyper-focused and frenzied. Oliveros’ forward-thinking work with “telematic music”–remote collaborative performance using telecommunications technology–is yet another facet of her relevance as an important forebearer of the current cultural moment. Recordings of the concert remained unreleased for a decade, until now.&#8221; (SpleenCoffin)</p>
<p><a href="https://spleencoffin.com/portfolio/pauline-oliveros-and-alan-courtis-telematic-concert-lp/"><strong>Telematic Concert @SpleenCoffin</strong> </a></p>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/775507390&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true" frameborder="no" scrolling="no" width="100%" height="166"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a style="color: #cccccc; text-decoration: none;" title="sPLeeNCoFFiN" href="https://soundcloud.com/spleencoffin" target="_blank">sPLeeNCoFFiN</a> · <a style="color: #cccccc; text-decoration: none;" title="Pauline Oliveros and Alan Courtis - Telematic Concert I [excerpt]" href="https://soundcloud.com/spleencoffin/pauline-oliveros-and-alan-courtis-telematic-concert-i-excerpt" target="_blank">Pauline Oliveros and Alan Courtis &#8211; Telematic Concert I [excerpt]</a></div>
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