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	<title>African Paper &#187; Sergio Mence</title>
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		<title>Archipiélago: Digitales Album von Sergio Merce</title>
		<link>https://africanpaper.com/2025/09/16/archipielago-digitales-album-von-sergio-merce/</link>
		<comments>https://africanpaper.com/2025/09/16/archipielago-digitales-album-von-sergio-merce/#comments</comments>
		<pubDate>Tue, 16 Sep 2025 02:47:39 +0000</pubDate>
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				<category><![CDATA[News]]></category>
		<category><![CDATA[Room40]]></category>
		<category><![CDATA[Sergio Mence]]></category>

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		<description><![CDATA[In Kürze erscheint bei Room40 das neue Album &#8220;Archipiélago&#8221; des in Buenos Aires lebenden Komponisten und Saxofonisten Sergio Merce als Download, inklusive spezieller Radio-Edits. Das auf mikrotonalen Saxofonklängen basierende Werk bewegt sich zwischen brodelnd-dronigen Strukturen und minimalistischen Passagen, die je &#8230; <a href="https://africanpaper.com/2025/09/16/archipielago-digitales-album-von-sergio-merce/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>In Kürze erscheint bei Room40 das neue Album &#8220;Archipiélago&#8221; des in Buenos Aires lebenden Komponisten und Saxofonisten Sergio Merce als Download, inklusive spezieller Radio-Edits. Das auf mikrotonalen Saxofonklängen basierende Werk bewegt sich zwischen brodelnd-dronigen Strukturen und minimalistischen Passagen, die je nach Moment knarrend-schwer, glocken oder gongähnlich oder zurückgenommen und aufgeräumt klingen. Dabei bleibt die primäre Klangquelle oft kaum erkennbar, was den Reiz und die Vielschichtigkeit der Aufnahme ausmacht.<a href="https://africanpaper.com/wp-content/uploads/2025/09/archipielago.jpg"><img class="aligncenter size-full wp-image-48122" title="archipielago" src="https://africanpaper.com/wp-content/uploads/2025/09/archipielago.jpg" alt="" width="1200" height="1200" /></a><span id="more-48121"></span></p>
<p>Vomn Künstler selbst heißt es: &#8220;Most people know my work as a saxophonist and also as a sound artist based in Buenos Aires, Argentina. I use a microtonal sax that I built myself and I modified it radically. This modification means the mechanisms of my alto saxophone create very rich harmonics and allow for slowly moving tonality. With this recording though I wanted to explore a new approach to this idea of mircotonailty and texture. With &#8216;Archipiélago&#8217; I wanted to create a new way of approching this depth of sound and form, which are the fundamental pillars of my music. In a certain sense these pieces show a different landscape, at the same time abstract and concrete, and are a development that pushes outward and I feel advances towards new limits of my abilities as a composer. Disappearing into the silence, we seek to understand fear and suffering. Sometimes sound becomes silence and it is a vehicle that opens the doors of a new consciousness and perhaps, if everything goes well, we can see reality&#8221;.</p>
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