Den Auftakt macht am 31. August im Morphine Raum das Trio mit Andrea Neumann (Inside Piano) und Ignaz Schick (Turntables, Sampler), bei dem Voglsinger Snare Drum und Elektronik beisteuert. Am folgenden Abend trifft Voglsinger im Richten25 auf Bella Comsom, ihr Duo verbindet Elektronik, Licht, Klarinette und Stimme mit Voglsingers Snare, Resonatoren und Elektronik. Am 3. September steht dann das Projekt I0O1 auf dem Programm, in dem Voglsinger in Zusammenarbeit mit dem Elektronik- und Noise-Act Adam Aal modifizierte analoge Apparaturen, Circuit-Bending-Elektronik und elektroakustische Percussion einsetzt. Den Abschluss der kleinen Berlin-Reihe bildet am 5. September ein weiteres Duett mit Bella Comsom – diesmal im intimeren Rahmen des Projektraums studio54 in Neukölln.

Die Termine im Überblick

Montag, 31.08.2026, 20:00 Uhr
Neumann Schick Voglsinger – Live Recording
Morphine Raum
Köpenicker Str. 147, Hinterhof, 1. Etage, 10997 Berlin

Dienstag, 01.09.2026
Voglsinger–Comsom // Ducret–Kempendorff–Westergaard–Bruun
Richten25
Gerichtstraße 25, 13347 Berlin

Donnerstag, 03.09.2026
I0O1 & Adam Aal
Club West Germany
Skalitzer Str. 133, 10999 Berlin

Samstag, 05.09.2026
Stefan Voglsinger & Bella Comsom
studio54
Weserstraße 54, 12045 Berlin

@ Home 

“Transceiver is a quadraphonic piece for two turntables by Stefan Voglsinger. The four-channel composition becomes audible when the needles of two opposing turntables are placed simultaneously. Recorded over the course of a year, Transceiver is inspired by transmission technologies and the evolution of communication over distances. Using a mobile recording rig, Aras L. Seyhan and Stefan Voglsinger explored reverberation spaces in and around Vienna, merging field recordings with digital artifacts and acoustic on-site manipulations. The result is a quadraphonic soundscape that blends acoustic leaps in time and presents unheard perspectives of peculiar-sounding places. Echoes under the Danube Island bridges, reflections from corridors of “Gründerzeit” houses, detuned piano body vibrations, re-amping of sounds at Vienna`s oldest church – St. Rupert, reverberations from the dripstone cave “Güntherhöhle” in Lower Austria (a 206m long, 21m high cave that served as bomb shelter and now bat cave), oscillations through Richard Deacon’s painted steel sculpture “Now and Then” and the massive arched vault reflections from Vienna’s subterranean sewer system. As an instrument, the release encourages collective listening and experimentation, for example by combining different speeds, lifting and repositioning the needles, playing backwards and using diverse playback devices. Each cover of the 12” limited edition is hand-printed, cut, stamped and bound individually using various printing and transfer techniques. The gatefold cover graphic features a resonator drum and outlines of transparent monochromatic circuit boards. Trough a roughly cut hole on the backside of the vinyl, the uniquely tinted linocut-printed labels become visible, each of them matching the acetone-transferred Inlay artworks. In addition to the detailed artwork, the release includes many small gadgets: a Morse code used for synchronization, inside-out playing direction on clear vinyl, four endless loops and a unique acetone transfer print, to name just a few”.  (Mamka)

@ Mamka