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	<title>African Paper &#187; John Also Bennett</title>
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		<title>Tidal Perspectives: Neue Kollaboration von Giovanni di Domenico, Pak Yan Lau und John Also Bennett</title>
		<link>https://africanpaper.com/2024/05/06/tidal-perspectives-neue-kollaboration-von-giovanni-di-domenico-pak-yan-lau-und-john-also-bennett/</link>
		<comments>https://africanpaper.com/2024/05/06/tidal-perspectives-neue-kollaboration-von-giovanni-di-domenico-pak-yan-lau-und-john-also-bennett/#comments</comments>
		<pubDate>Mon, 06 May 2024 05:43:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Editions Basilic]]></category>
		<category><![CDATA[Giovanni di Domenico]]></category>
		<category><![CDATA[John Also Bennett]]></category>
		<category><![CDATA[Pak Yan Lau]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=40924</guid>
		<description><![CDATA[Mitte Juli bringen Editions Basilic eine neue gemeinsame Arbeit von Giovanni di Domenico, Pak Yan Lau und John Also Bennett als schön gestaltete LP in dreihunderter Auflage heraus. Die vier Tracks auf &#8220;Tidal Perspectives&#8221;, von denen das kurze, in seiner &#8230; <a href="https://africanpaper.com/2024/05/06/tidal-perspectives-neue-kollaboration-von-giovanni-di-domenico-pak-yan-lau-und-john-also-bennett/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Mitte Juli bringen Editions Basilic eine neue gemeinsame Arbeit von Giovanni di Domenico, Pak Yan Lau und John Also Bennett als schön gestaltete LP in dreihunderter Auflage heraus. Die vier Tracks auf &#8220;Tidal Perspectives&#8221;, von denen das kurze, in seiner meditativen Ausgerichtetheit allerdings ausgesprochen eindringliche &#8220;Vernal&#8221; bereits erhältlich ist, entstanden in einer einzigen Aufnahmesession vor anderthalb Jahren im Brüsseler Les Ateliers Claus auf der Basis von Rhodes Piano, &#8220;sizzling ceramics, and liquified bass flute, a rare meeting of three unique voices from the contemporary music landscape that manages to flow with the effortless inevitability of the oceanic tides&#8221;, wie es vom Label heißt. Das Album ist auch digital erhältlich.<a href="http://africanpaper.com/wp-content/uploads/2024/05/tidalperspectives.jpg"><img class="aligncenter size-full wp-image-40925" title="tidalperspectives" src="http://africanpaper.com/wp-content/uploads/2024/05/tidalperspectives.jpg" alt="" width="1200" height="1189" /></a><span id="more-40924"></span></p>
<p>&#8220;Giovanni Di Domenico, an accomplished composer and prolific collaborator who has released albums with Jim O’Rourke, Eiko Ishibashi and Akira Sakata, among many others, initiated the collaboration with Bennett after the two met at a record fair in Saint-Gilles, Belgium and bonded over a shared inquisitiveness for unconventional sonic combinations. Along with Pak Yan Lau, a Belgian-born sound artist and improviser who has developed her own rich and unique sonic footprint, the trio entered the studio with little, if any, discussion beforehand, jumping right into playing without preconceived structures. The resulting recordings had a depth of sound and emotional resonance surprising even them, with finished pieces emerging from single live takes and minor edits.</p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3452178879/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" width="320" height="240"></iframe></p>
<p>Bennett, known for his solo work as well as his collaborations with Christina Vantzou as CV &amp; JAB, gives us here a taste of his bass flute in free flowing form. Unconstricted by concept, joyfully and lazily bouncing off the melodic shimmers of Di Domenico’s Rhodes, Bennett uses his flute’s pitch information to trigger long tones that emerge like rays of light piercing through low hanging clouds &#8211; moments of clarity among a clicking world of sonic stimuli. Meanwhile, Lau’s crackling and sometimes dissonant contributions on prepared piano, live hydrophone, and custom ceramic sound objects balance out the triangle, adding a sense of microcosmic intrigue that allows the music to seamlessly ebb and flow between moments of comfort and foggy uncertainty.&#8221; (Editions Basilic)</p>
<p><a href="https://www.objectsandsounds.com/labels/editions-basilic/"><strong>@ Editions Basilic</strong> </a></p>
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		<title>Out Together: Album von Andrew Osterhoudt auf Geographic North</title>
		<link>https://africanpaper.com/2023/02/21/out-together-album-von-andrew-osterhoudt-auf-geographic-north/</link>
		<comments>https://africanpaper.com/2023/02/21/out-together-album-von-andrew-osterhoudt-auf-geographic-north/#comments</comments>
		<pubDate>Tue, 21 Feb 2023 07:07:10 +0000</pubDate>
		<dc:creator>Michael</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Andrew Osterhoudt]]></category>
		<category><![CDATA[Geographic North]]></category>
		<category><![CDATA[John Also Bennett]]></category>
		<category><![CDATA[Ka Baird]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=33983</guid>
		<description><![CDATA[Der in Brooklyn ansässige Andrew Osterhoudt hat gerade auf Geographic North sein Debüttape „Out Together“ veröffentlicht, auf dem der Komponist von Ka Baird an der Flöte und gesanglich sowie von John Also Bennett (Flöte) unterstützt wurde. „Over the past few &#8230; <a href="https://africanpaper.com/2023/02/21/out-together-album-von-andrew-osterhoudt-auf-geographic-north/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Der in Brooklyn ansässige Andrew Osterhoudt hat gerade auf<a href="http://africanpaper.com/tag/geographic-north/"> Geographic North</a> sein Debüttape „Out Together“ veröffentlicht, auf dem der Komponist von<a href="http://africanpaper.com/tag/ka-baird/"> Ka Baird</a> an der Flöte und gesanglich sowie von <a href="http://africanpaper.com/tag/john-also-bennett/">John Also Bennett</a> (Flöte) unterstützt wurde.</p>
<p><a href="http://africanpaper.com/wp-content/uploads/2023/02/a0919913897_10.jpg"><img class="aligncenter size-full wp-image-33985" title="a0919913897_10" src="http://africanpaper.com/wp-content/uploads/2023/02/a0919913897_10.jpg" alt="" width="1200" height="1200" /></a><span id="more-33983"></span>„Over the past few years, Andrew Osterhoudt has quietly curated a slew of comforting kosmische musik that gazes deep into the stars while peering just as deeply inward. Now, the Brooklyn-based composer sets their sights on more tangible artifacts and nearby nuance with &#8216;Out Together,&#8217; an earthbound fit of maniacal mindfulness mixed with calm chaos.</p>
<p>Constructed on a scaffold of juxtaposed symmetry, the two sides of &#8216;Out Together&#8217; foil and compliment each other in delicate harmony. Live collaborations with Ka Baird and John Also Bennett (JAB) colligate with manipulated found sounds from records and digital audio files from old broadcasting sound libraries, recontextualized into moments of ambient turntablism. The search for harmony shines throughout. Take the final tones of A-side closer “Runoff” drifting downstream with bubbly textures and arpeggiated bliss, trying to reach harmony with the initial tones of B-side opener “Frequency.” The latter ultimately spotlights a fortuitous flute duet from Baird and JAB born from Osterhoudt’s own graphic score.</p>
<p>The patient pointillism and avant assurance of “Crowds” balances out the opposite side’s “Everyone Arriving, Eventually,” a tone poem of sand-like textures flowing through melodic reeds and other sonic detritus. “Undergrowth” awakens in a steam-drenched run of modulated meditation, focusing on Ka Baird’s singularly enraptured vocal exorcisms which perfectly reflect its B-side counterpart “The Breathing Green,” engaged in a din of rustic psychedelia with waves of buzzing, ember-like tones and unseen fauna.</p>
<p>As a whole, &#8216;Out Together&#8217; presents a vibrant spectrum of feelings ranging from magnified isolation to zoomed-out, wide-angled euphoria.“</p>
<p>@ <a href="http://geographic-north.com/?force-web ">Geographic North </a>/ @<a href="https://andrewosterhoudt.bandcamp.com/album/out-together?from=fanpub_fb"> Bandcamp</a><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3780267284/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" width="320" height="240"></iframe></p>
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		</item>
		<item>
		<title>Out there in the middle of nowhere: Neues von John Also Bennett</title>
		<link>https://africanpaper.com/2022/10/29/out-there-in-the-middle-of-nowhere-neues-von-john-also-bennett/</link>
		<comments>https://africanpaper.com/2022/10/29/out-there-in-the-middle-of-nowhere-neues-von-john-also-bennett/#comments</comments>
		<pubDate>Sat, 29 Oct 2022 03:30:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[JAB]]></category>
		<category><![CDATA[John Also Bennett]]></category>
		<category><![CDATA[Poole Records]]></category>

		<guid isPermaLink="false">http://africanpaper.com/?p=31926</guid>
		<description><![CDATA[John Also Bennett alias JAB veröffentlicht in wenigen Tagen seine neue 4-Track-LP.  Die Initialen Ideen zu dem Album entstanden während einer Fahrt durch die Badlands von South Dakota inmitten der nördlichen Prärien der USA. Die Komplexität der Landschaft und ihre &#8230; <a href="https://africanpaper.com/2022/10/29/out-there-in-the-middle-of-nowhere-neues-von-john-also-bennett/">Weiterlesen <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>John Also Bennett alias JAB veröffentlicht in wenigen Tagen seine neue 4-Track-LP.  Die Initialen Ideen zu dem Album entstanden während einer Fahrt durch die Badlands von South Dakota inmitten der nördlichen Prärien der USA. Die Komplexität der Landschaft und ihre urtümliche Aura – “remnants of an ancient seafloor mixed with the ash of a volcanic eruption, eroded over millennia and now resembling the tangled folds of earth’s brain” – inspirierten den Musiker, die<a href="http://africanpaper.com/wp-content/uploads/2022/10/fotor_1666717013827.jpg"><img class="aligncenter size-full wp-image-31928" title="fotor_1666717013827" src="http://africanpaper.com/wp-content/uploads/2022/10/fotor_1666717013827.jpg" alt="" width="676" height="673" /></a><span id="more-31926"></span></p>
<p>eindringlichen mikrotonalen Arrangements auf der Basis einer Oahu Lap Steel-Gitarre aus den 40ern, Synthies und Field Recordings zu gestalten. Die Fertigstellung fand allerdings an einem anderen Ort statt, der ebenfalls archaische Details zu bieten hat. Beim Label heißt es: &#8220;The following year, upon relocating with his wife (Kranky composer Christina Vantzou) to the cliffside village of Livaniana on the island of Crete, Bennett discovered a method of translating his minimalist lap steel phrases into live MIDI information, which he then used to trigger different waveforms to extend the resonance of the instrument.</p>
<p>This multi-layered generative process resulted in a collection as vast and bewildering as the terrain that inspired it: Out there in the middle of nowhere&#8221;. Die LP erscheint bei Poole Music und ist auch digital (mit einem Bonustrack!) erhältlich. <!--/data/user/0/com.samsung.android.app.notes/files/clipdata/clipdata_bodytext_221025_185429_499.sdocx--></p>
<p><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1202333177/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" width="320" height="240"></iframe></p>
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