Der aus der Türkei stammende und heute in Schottland ansässige Komponist und Klangkünstler Isik Kural, der aufgrund seines Umgangs mit der Wirkung von Augenblicken gerne als Klangfotograf bezeichnet wird, bringt ein neues Album heraus. “in february” kombiniert auf den ersten Blick abstrakt anmutende Kompositionen von hörspielhafter Erzählart mit einem oftmals lieblich-folkigen Sound. Literarische Referenzen von Sophokles über Pasolini bis zu dem türkischen Dichter Gulten Akin, vorgetragen von Stephanie Roxanne Ward alias spefy, unterfüttern den assoziativen Reichtum des Albums. Es erscheint am 25. März bei Rvng Intl. Ein Teil des Erlöses geht an die Organisation Turkiye Egitim Gonulluleri Vakfi, die im Bildungs- und erziehungsbereich tätig ist.

“On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life’s temporality. Across the album’s twelve songs, each composed from chance loops and cocooned within the soft container of Isik’s memorable voice and melody play, time is held on to hopefully, impossibly, eternally. Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019′s As Flurries, a cassette collection for Italian label Almost Halloween Records.

It was during a brief trip home to Istanbul in 2019 that the invisible details of in february were first exposed. While assisting on a session at his old haunt Babajim Recording Studios, Isik happened upon a beautiful piano, the kind “in which you hear a melody with the touch of a single note.” A looped segment from a recording of improvised tinkering on the instrument formed the basis “pillow of a thought,” which christens Isik’s new album. A bed for a passing notion, image, moment. Adopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect.

Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios. [...] Isik treads lightly between the streams of poetry, sound and photography across in february, together impressing an imagistic lightness and immediacy. Although quick as the blink of a camera’s eye or the brush of two hands in passing, the brevity of these works should not be taken for granted: they whisper into each other with elaborate detail, intuitively papered over old and new stories of love and longing.” (Rvng Intl)

Porträt Matthew Arthur Williams