Thanatosis Produktion bringen in den nächsten Tagen eine neue Doppel-CD mit Karlheinz Stockhausen-Interpretationen der japanischen Pianistin Miharu Ogura heraus. Die Aufführung der Klavierstücke I–XI wurde vor knapp zwei Jahren beim Stockholmer Monopiano-Festival aufgenommen, die Veröffentlichung enthält außerdem ein 20 Seiten umfassendes Booklet. Dessen Hauptteil bildet ein Essay des Buchautors und früheren Stockhausen-Schülers Robin Maconie. Das Album ist inklusive PDF-Booklet auch digital erhältlich.

“Pianist and composer Miharu Ogura (b.1996) began her piano studies at age 3 and has been interested in complex rhythms and atonal elements since childhood. At 19 years old, Miharu learned of composer Karlheinz Stockhausen while participating in a masterclass focused on the Klavierstücke held by Pierre-Laurent Aimard and Tamara Stefanovich in Munich. After this experience, she took every possible opportunity to learn a new Klavierstück. In 2017 she participated in the Stockhausen Courses in Kürten. Following her successful performance of Mantra in 2018, she made her first attempt to play Klavierstücke I–XI in Tokyo, Japan, in 2021. Later the same year, she performed the pieces at the MONOPIANO festival in Stockholm, Sweden – the same performance that’s featured on this album.

Miharu was born in Tokyo, where she also graduated from Toho Gakuen College. She’s currently based in Frankfurt, Germany and performs in a variety of music scenes as a soloist and ensemble performer”. (Thanatosis)