In den nächsten Tagen bringen die spanischen Okkult-Psychedeliker Pylar ein neues Album heraus. Das Kollektiv entstand vor zirka zehn Jahren in Sevilla und wurde von Mitgliedern der Gruppen Orthodox and Blooming Látigo gegründet. Seit ihrem ersten, seinerzeit von Julian Cope gefeierten Longplayer “Poderoso se alza en my” (2013) variierten sie stets ihren Stil, an dessen Basis Einflüsse aus Metal, Prog, Psychrock und experimentell eingebauten klassischen und folkigen Versatzstücken miteinander verschmelzen. Beim Label heißt es: “An instrumental training that incorporates from percussion, to guitars, keyboards, horn, violin or mandolin, to which is added the voice that intones texts by the experimental writer and philosopher Francisco Jota-Pérez, fragments extracted from occult sciences and the cult vanguard grimoire Cyclonopedia”. Mit “Límyte” liegt nun das siebte Album der Band vor. “In LÍMYTE, their new album, PYLAR has had the collaboration of the renowned musician and producer CG Santos (Teitanblood, etc.) who has created a piece of music, playing hurdy-gurdies and modular synths, with the aim of being inserted into LÍMYTE as an element from the outside so that it can open PYLAR´s compositions on this album outwards, towards a hypercacophony. The tension created through the overlapping of these elements causes cracks in the music through which what-is-beyond can be glimpsed, while breaking with the linear narrative of traditional musical discourse. An expansion arises towards a collapse that does not imply the end but a rearrangement of the primary symbols used at an aesthetic level for a new beginning in an endless spiral…”. Das Album erscheint in den gängigen Formaten beim Cyclic Law-Imprint Cavsas.